Alban Berg: Music as Autobiography. Translated by Ernest by Berg, Alban; Bernhardt-Kabisch, Ernest; Floros, Constantin PDF

By Berg, Alban; Bernhardt-Kabisch, Ernest; Floros, Constantin

ISBN-10: 1306931843

ISBN-13: 9781306931847

ISBN-10: 363164597X

ISBN-13: 9783631645970

ISBN-10: 365304684X

ISBN-13: 9783653046847

The crucial element of this e-book is the belief that the artistic paintings of Alban Berg, which in recent times has moved to the leading edge of scholarly curiosity, is basically rooted in autobiography, in order that as a result you'll achieve entry to the tune via learning the inner biography of its author. hence, the 1st of the 3 elements of this quantity outlines a personality portrait of this nice composer. half considers the stipulations correct to a deeper figuring out of Berg and of the second one Viennese institution more often than not. partly 3, then, Berg’s key works can be analyzed and semantically deciphered when it comes to his inner biography. The learn relies not just at the resources in print but additionally at the wealthy unpublished fabric. Alban Berg was once incapable of composing and not using a software. He wanted an extra-musical stimulus. With him, own adventure used to be the integral situation of the artistic technique: the autobiographic reference used to be all-important for composing

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Read e-book online Alban Berg: Music as Autobiography. Translated by Ernest PDF

The crucial aspect of this ebook is the belief that the artistic paintings of Alban Berg, which in recent times has moved to the leading edge of scholarly curiosity, is basically rooted in autobiography, in order that for that reason you'll achieve entry to the song by way of learning the internal biography of its author. for this reason, the 1st of the 3 components of this quantity outlines a personality portrait of this nice composer.

Extra resources for Alban Berg: Music as Autobiography. Translated by Ernest Bernhardt-Kabisch

Example text

In an attempt to become better known, he felt obligated to print and publish several of his compositions at personal expense. ”81 Even the piano score of the Wozzeck of December 1922 was still self-published; Alma Maria Mahler had borne a part of the costs. The year 1923 marked a turn in Berg’s artistic life, inasmuch as it brought him recognition and the first real successes. In the course of the “Austria Week” of a Berlin music festival, Webern performed the first two of the Three Pieces for Orchestra op.

103 On August 20, 1910, he wrote to Helene that he suffered much from the loss of “Lebensgenuß,” enjoyment of life – “as otherwise there is not one pleasure of life on earth that would not be accessible or comprehensible to me” (ABB 177). Berg was strongly taken by a performance of Frank Wedekind’s Büchse der Pandora (Pandora’s Box) on May 29, 1905, at Vienna’s Trianon Theater. ” Wedekind, sensuality, sexual liberation, the hypocritical morality of a crumbling bourgeois society – these were topics that greatly interested him at the time.

Vienna’s musical life, he thought, was subject to dictatorial influences, “which emanate, on the one hand, from Archbishop Piffl and, on the other, from Dr. Korngold” (referring to the Viennese music critic Julius Korngold65). 66 In the same letter he deplored the fact that the Viennese press had not taken the “smallest notice” of the New York premiere of Wozzeck (in November of 193167). Berg’s aversion to Vienna was directed against the authorities of the city’s cultural and musical life, against Franz Schalk, under whom the Vienna Opera experienced a heyday between 1918 and 1929, against the Philharmonic Orchestra and against the Viennese music critics.

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Alban Berg: Music as Autobiography. Translated by Ernest Bernhardt-Kabisch by Berg, Alban; Bernhardt-Kabisch, Ernest; Floros, Constantin


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