By Gershom Scholem, Klaus Ottmann
Newly revised moment printing. Translated by means of KLAUS OTTMANN. A groundbreaking textual content on alchemy through the top pupil of Jewish mysticism is gifted the following for the 1st time in English translation. Scholem seems severely on the connections among alchemy, the Jewish Kabbalah; its christianized kinds, corresponding to the gold- and rosicrucian mysticisms, and the myth-based psychology of C.G. Jung, and uncovers forgotten alchemical roots embedded within the Kabbalah.
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Extra resources for Alchemy and Kabbalah
Job, Transitional Space, and the Ruthless Use of the Object 31 what this satisfaction consists we need to be clear. It does not consist in what Guti´errez says it consists. “Job is invited to sing with Yahweh the wonders of creation – without forgetting the source of it all is the free and gratuitous love of God” (1987, 75). One has to look very hard, from somewhere deep in the pages of the New Testament, to find an invitation from God to Job to join Him in a duet. Here is how God – truly a God of nature when he speaks from the whirlwind – speaks to the condition of the absurd, as Camus (1955, 28) defines it: man cries out to the world that it acknowledge his existence, and the world is silent.
The chapter continues with the leading themes of this book: asking whether Primo Levi was the simple atheist he seemed to be, taking up once again his struggle with the Book of Job. The chapter concludes by asking what survivors have to teach us about the world, not just themselves. Could survivors teach us to look at the Holocaust in such a way as to render it less absurd? One theme that unites these chapters is, of course, the relationship among suffering, absurdity, and affliction. Another is interpretation.
Yes, the sublime is the abject in the dimension of beauty and wonder and terror and awe. If one thinks of the abject as the threatened dissolution of boundaries, then this is, of course, precisely the appeal of the sublime, precisely how Kant defines the term, that experience of excess that threatens to make mincemeat of human categories. According to Kristeva (1982, 207), the sublime and the transcendent – that is, art and religion – both deal with that archaic space where the familiar binaries such as self/other, or subject/object, have broken down or threaten to break down.
Alchemy and Kabbalah by Gershom Scholem, Klaus Ottmann