By Diana Weynand
Up to date for ultimate reduce seasoned 7 and written for pro video and movie editors who recognize their manner round Avid nonlinear platforms, this e-book exhibits you the way to translate your abilities to ultimate reduce professional speedy and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a complete "translation path" masking the entire crucial operations, from venture set-up and simple enhancing via transitions and results, colour correcting, compositing, titling, and output. you will discover certain function comparisons, useful conversion advice, and directions on how you can use ultimate lower seasoned good points that are not on hand in Media Composer. you will additionally study what is new in ultimate reduce professional 7. filled with convenient beneficial properties, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex enhancing and workflow advice, this booklet could have you enhancing with ultimate minimize seasoned in checklist time. each one bankruptcy represents a whole lesson in a key point of ultimate lower professional 7 and contains a evaluate part and record of keyboard shortcuts.Accessible writing variety places a professional teacher at your sideAmple illustrations and keyboard shortcuts assist you grasp strategies fastChapter evaluation sections summarize what you've got discovered
Read or Download Apple Pro Training Series Final Cut Pro for Avid Editors PDF
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Extra resources for Apple Pro Training Series Final Cut Pro for Avid Editors
From the shortcut menu, choose Add Track to add a new track. To delete a track, Control-click that track in the track control area and choose Delete Track from the shortcut menu. ) In Lesson 6, you will learn how dragging clips directly to the Timeline can create a new track automatically. What You’ve Learned Transport controls are found at the bottom of the Viewer and Canvas windows. You can also play and stop a clip or sequence by pressing the spacebar. You can use the J, K, and L keys to play in reverse, stop, play forward, or play very fast or very slow.
In Lesson 6, you will learn how dragging clips directly to the Timeline can create a new track automatically. What You’ve Learned Transport controls are found at the bottom of the Viewer and Canvas windows. You can also play and stop a clip or sequence by pressing the spacebar. You can use the J, K, and L keys to play in reverse, stop, play forward, or play very fast or very slow. There are mark buttons in both the Viewer and Canvas windows, and mark and play keyboard shortcuts can be found in the Mark menu and scrubber bar shortcut menu.
Control-click in the Label field for the desired track, and choose a color from the shortcut menu. With this approach, you can colorize individual clip tracks. Working with Tools and Audio Meters After a color label is applied to a clip or sequence, that color is displayed in the Viewer or Canvas and Timeline windows, respectively. Clip with color label appears with colored video and audio tabs Sequence with color label appears with colored tab in the Timeline and Canvas Working with Tools and Audio Meters You select Avid tools by using the keyboard, pressing command buttons, or selecting an option from the Fast menu.
Apple Pro Training Series Final Cut Pro for Avid Editors by Diana Weynand