By Sterling Professor of the Humanities Harold Bloom
This sequence offers finished studying and research courses for a number of the world's most vital literary masterpieces.
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Additional resources for Charles Dickens's A Christmas Carol (Bloom's Guides)
The only positive emotion in the scene is the relief felt by the couple that a more understanding lender will take over the debt. Scrooge is not satisfied; he wishes to summon someone to the scene who might have felt some tenderness, might have a single good word to say about the deceased. Perhaps this wish functions in Scrooge as an unconscious gesture toward selfrespect or even self-love. Such an instinct is an essential piece of self-healing. Scrooge is then transported to the Cratchit home, where he finds the family in mourning over Tiny Tim, who is near death.
Similarly, Dickens prepares his readers for the workings of the supernatural by introducing the ghost of Hamlet’s father. The narrator needs a way to underscore not only the fact of Marley’s physical death but also to put his readers into a respectful, even awestruck, state of mind to receive the full import of the story. Dickens—aligning his narrator with Shakespeare and invoking one of the playwright’s most determined and credible ghosts, one that prompts Hamlet’s questioning and leads ultimately to his conversion from grieving son to enraged nephew—achieves this effect.
Food shortages would create a “surplus population”—the poor—who would starve and thus be eliminated in the Darwinian struggle for survival. These arguments may have motivated Scrooge to question his nephew about getting married and adding to the population before he was earning enough to feed all his offspring. 29 Without apology, Scrooge believes himself, the hardworking businessman, to be superior to the poor, who are idle and therefore undeserving of charity, deserving only of their wretched fate.
Charles Dickens's A Christmas Carol (Bloom's Guides) by Sterling Professor of the Humanities Harold Bloom