By Dick Pountain
Cool ideas introduces the reader to a brand new cultural class. whereas the authors don't declare to have found Cool, they think they're the 1st to try a major, systematic research of Cool's heritage, psychology, and importance.The modern Cool perspective is only 50 years previous, yet its roots are older than that. Cool ideas lines Cool's historic origins in ecu, Asian, and African cultures, its prominence within the African-American jazz scene of the Forties, and its pivotal place in the radical subcultures of the Fifties and '60s. Pountain and Robins research a number of paintings activities, song, cinema, and literature, relocating from the dandies and fl?neurs of the eighteenth and 19th centuries via to the expropriation of a complete cultural and mental culture by means of the media within the Nineteen Eighties and '90s. What started as a rebellious posture followed by way of minorities mutated to turn into mainstream itself. Cool is now basically approximately intake, as cynical advertisers have seized on it to create a regularly up to date bricolage of kinds and entertainments designed to impact the best way humans take into consideration themselves and their society.
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Additional resources for Cool Rules: Anatomy of an Attitude (FOCI)
47 OUT OF AFRICA and heroin addiction was regarded almost as a professional qualification. Following the premature drug-induced death of Parker, Miles Davis headed off in the direction that became known as the ‘cool school’ by lowering the tempo of bebop, and playing heavily on wistful minorkey blues melodies. On Davis’s 1949 album Birth of the Cool, he and the alto sax-player, Lee Konitz, played ‘as if in sight of some new musical world . . 16 His classic album Kind of Blue of a decade later is invariably the only jazz album to feature in the Best Album of All Time polls.
This image would seem indelible . . 11 Blues Fell This Morning Those parts of America in which the slaves found themselves were, with the notable exception of New Orleans, environments ruled by a sternly puritanical form of Protestant Christianity that could hardly have differed more from African religions. The slaves had no written language; their social organizations were deliberately disrupted by separating members of the same tribe; their sexual mores were brutally violated by breeding them like livestock; and any attempt to gain an education was punished.
The history of rock ’n’ roll has been rewritten so many times and it is not our intention to rehash it again. Suffice to say that what modern jazz had meant to a small band of striving black artists and their equally small Hip audience, rock ’n’ roll opened up to a mass teenage audience in the late ’50s; the music became a defining force in their lives, and set them apart for ever from their parents’ generation. This was the moment in which Cool in its modern form broke out of the ghetto and into the mainstream of society, the true arrival of what we will later call the People’s Modernism.
Cool Rules: Anatomy of an Attitude (FOCI) by Dick Pountain