Download PDF by David Gauntlett: Creative Explorations: New Approaches to Identities and

By David Gauntlett

ISBN-10: 0203961404

ISBN-13: 9780203961407

ISBN-10: 0415396581

ISBN-13: 9780415396585

How do you photograph identification? What occurs if you ask participants to make visible representations in their personal identities, affects, and relationships? Drawing upon an array of disciplines from neuroscience to philosophy, and artwork to social concept, David Gauntlett explores the ways that researchers can embody people's daily creativity with a purpose to comprehend social adventure. looking a substitute for conventional interviews and concentration teams, he outlines reviews within which humans were requested to make visible things – akin to video, college, and drawing – after which interpret them. This results in an cutting edge venture during which Gauntlett requested humans to construct metaphorical versions in their identities in Lego. This artistic reflective strategy presents insights into how participants current themselves, comprehend their very own existence tale, and fix with the social global. inventive Explorations is a full of life and unique dialogue of identities, media affects, and creativity, that allows you to be of curiosity to either scholars and lecturers.

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Extra info for Creative Explorations: New Approaches to Identities and Audiences

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Van Gogh’s paintings are perhaps the most brilliant examples of how the rendering of an image can be so much more significant and expressive than the subject-matter itself. We ‘know’ about Vincent from the mythologies and books and films, but we also know about him from the particular way in which his pictures of ‘ordinary’ things (some fields, a bedroom, a sky), are painted. He wrote to his brother Theo in 1889: When the thing represented is, in point of character, absolutely in agreement and one with manner of representing it, isn’t it just that which gives a work of art its quality?

Dewey does not mean famous ‘masterpieces’ in particular (although those are likely to have become celebrated because of these properties, at least in part); for Dewey, art is part of everyday experience. ‘The understanding of art and of its role in civilisation is not furthered by setting out with eulogies of it nor by occupying ourselves exclusively at the outset with great works of art recognised as such’ (p. 10). Dewey suggests that understanding an artistic experience is like understanding how a flower grows – rather than simply noticing that it is pretty – and therefore involves an understanding of ‘the soil, air, and light’ which have contributed to the aetiology of the work and which will be reflected in it (p.

Moment’ when the solution to a problem crystallised The self and creativity 23 in their minds (1997: 103–4). ” moment’ sounds rather magical and unscientific, there is a lot of evidence for it happening – even if we suspect that sometimes the dull reality may have been transformed into a more exciting anecdote – and it is certainly consistent with contemporary psychology and neuroscience, which accept that unconscious processing takes place even though there are debates about the form and function of these processes (as we will see in Chapter 5).

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Creative Explorations: New Approaches to Identities and Audiences by David Gauntlett

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